Projects
Current Projects
RASGOS ASIATICOS: LOS ANGELES
An intimate story about the fluidity of borders and time, Virginia Grise’s site-specific performance installation rasgos asiáticos examines migration and displacement, and unearths hidden histories in the confluence of China, Mexico, and the United States. Created in collaboration with designer Tanya Orellana, rasgos asiáticos is a constructed space for personal and political excavation, revealed through inherited stories, fragmented memories, historical re-imaginings, and recurring dreams. rasgos asiaticos will tour the U.S. Contact Megan for details.
LA Performances were May 19, 2024 at Automata; Produced in association with Outside In Theatre.
Coming to Tucson, AZ in 2026.
Deep into her 3rd act of being a person, Kathryn Grody investigates an eclectic, devastating, and hilarious potpourri of shocking discoveries as she finds herself — at 78 — becoming not quite old, but elder. Another Boomer that didn’t think the aging process would apply to her, Grody enters elderhood with equal parts empowerment and bewilderment. Marching onward through crumbling democracy, a boiling planet, and an increasingly dead roster of friends and colleagues, she is buoyed by discovering parts of herself she didn’t know were in hiding, waiting for this period to bloom. Mother, artist, wife, grandmother, friend, and accidental social media influencer, Kathryn Grody is astonished with her life, your life, and the stunning, deeply-felt, heartbreaking impermanence of it all.
World Premiere at People’s Light, Malvern, PA Sept. 2025, followed by NYC Premiere. For more information or to book The Unexpected 3rd, contact Megan.
Follow Kathryn on social media: Instagram. TikTok.
Princeton Digital Theatre Project
with Elena Araoz and Sarah Gancher
Untitled Immersive Adaptation
with Gaye Taylor Upchurch
Current Clients & Collaborators
The House Foundation
The Movement Theatre Company creates an artistic social movement by developing and producing new work by artists of color. Our work engages audiences in a rich theatrical dialogue, enlightens communities to the important issues affecting our world, and empowers artists to celebrate the many sides of their unique voice. To learn more about The Movement and support their work, check them out here.
The House Foundation for the Arts is a nonprofit organization with a mission to cultivate cultural engagement through live music concerts, interdisciplinary performances, exhibitions and educational initiatives. The House Foundation develops, disseminates, promotes and preserves the work of iconic American artist Meredith Monk and members of Meredith Monk & Vocal Ensemble.
a todo dar productions stages public interventions and builds convivial spaces for and with community to study, think, imagine, create and dream together. To date, we have produced theatre in public plazas and parks, a women’s prison, under the freeway, in cargo boxes, in a rice silo, and virtually. Our ongoing projects—talleres for dreaming and fugitive libraries — include a sobremesa series, encuentros, consultas, artist exchanges and intercambios. We are currently raising money for general operating support. Support us here.
The SuperGeographics Ensemble builds equitable relationships and exchanges ideas across disparate cultures, while challenging form through works that are highly athletic, textually bold, and intellectually rigorous. They have made work and performed in Chile, India, Sweden and the U.S. Most recently, they premiered Helen. by Caitlin George, directed by Violet Picayo at La MaMa in NYC.
New York Classical Theatre creates and reinvigorates audiences for the theatre by presenting free productions of popular and forgotten classical plays in public spaces throughout New York City. NY Classical is also committed to developing and producing new plays by living playwrights that enrich and expand our understanding of what defines a classic.
The SITI Digital Archive was created around the expertise and collaborative processes of the SITI ensemble, with company members as content specialists, providing insights into SITI’s historical artistic practices – which have already shaped a generation of artists who trained with SITI. Its aim is to provide resources for artists who create work in collaborative/ensemble-driven contexts; theater scholars interested in studying SITI Company, Anne Bogart, and ensemble practice; and curious theatre lovers. The Archive also provides an opportunity for the Company to create a lasting artistic work together that showcases the best parts of what SITI has offered the theater field since 1992.