Current Clients & Collaborators
The Movement Theatre Company creates an artistic social movement by developing and producing new work by artists of color. Our work engages audiences in a rich theatrical dialogue, enlightens communities to the important issues affecting our world, and empowers artists to celebrate the many sides of their unique voice. To learn more about The Movement and support their work, check them out here.
The House Foundation for the Arts is a nonprofit organization with a mission to cultivate cultural engagement through live music concerts, interdisciplinary performances, exhibitions and educational initiatives. The House Foundation develops, disseminates, promotes and preserves the work of iconic American artist Meredith Monk and members of Meredith Monk & Vocal Ensemble.
a todo dar productions stages public interventions and builds convivial spaces for and with community to study, think, imagine, create and dream together. To date, we have produced theatre in public plazas and parks, a women’s prison, under the freeway, in cargo boxes, in a rice silo, and virtually. Our ongoing projects—talleres for dreaming and fugitive libraries — include a sobremesa series, encuentros, consultas, artist exchanges and intercambios. We are currently raising money for general operating support. Support us here.
The SuperGeographics Ensemble builds equitable relationships and exchanges ideas across disparate cultures, while challenging form through works that are highly athletic, textually bold, and intellectually rigorous. They have made work and performed in Chile, India, Sweden and the U.S. Most recently, they premiered Helen. by Caitlin George, directed by Violet Picayo at La MaMa in NYC.
RUDE MECHS create art through a collaborative and consensus-based process that leads to expansive thinking and the creation of a just world. Since 1996, Rude Mechs has created a genre-averse slate of original theatrical productions peppered with big ideas, cheap laughs, and dizzying spectacle. What these works hold in common are the use of play to make performance, the use of theaters as meeting places for audiences and artists, and the use of humor as a tool for intellectual investigation.
The SITI Digital Archive was created around the expertise and collaborative processes of the SITI ensemble, with company members as content specialists, providing insights into SITI’s historical artistic practices – which have already shaped a generation of artists who trained with SITI. Its aim is to provide resources for artists who create work in collaborative/ensemble-driven contexts; theater scholars interested in studying SITI Company, Anne Bogart, and ensemble practice; and curious theatre lovers. The Archive also provides an opportunity for the Company to create a lasting artistic work together that showcases the best parts of what SITI has offered the theater field since 1992.